Evelyn Ulex


		Evelyn Ulex Interview Evelyn Ulex - villagetatler ... She offered here beautifully clean piano lines and a firm, rounded keyboard tone in all registers. No mechanical player, her phrasing was appealingly elastic... Willa J. Conrad,The Star Ledger, NJ
		TransAtlantic Ensemble Interview TransAtlantik Ensemble - Radiobroadcast RBB-Kulturradio
		Sight & Sound Concert in Atlanta Sight & Sound Concert at the Goethe-Center in Atlanta
		Poetic meets the piano Musicians & poets escaping/moving/in Exil /Now
		Classical songs from Brazil (1800-2000) Brazilian song, from the romantic to the contemporary. Ms. Ulex performs with soprano Katia Guedes and in solo piano works...
		TransAtlantic Ensemble with guests It is a rarity in music today to find an ensemble whose commitment to varied styles suits their abilities. The catch phrases in the Arts are "Diversity" and "Crossover" and many a chamber group wave that flag of repertoire. In the TransAtlantic Ensemble I have heard that well balanced blend of "Mozartian" control, "Brahmsian" passion, "Webernesque" precision. The bonus is ther inherit soul and rhythmic drive that allows them to tackle music from say, south of the American Border or the Middle East with authentic inflection. Jeff Scott


		TransAtlantic Ensemble Press Mississippi University Interview TransAtlantik Ensemble - Radiobroadcast RBB-Kulturradio Recommendation, German-American Institute Nürnberg Ost-Thueringer Newspaper German Consulate, NYC German Consulate, Miami New Jersey City University Icelandic Consulate, Berlin Symphony Hartford, capriccio Presskit Downloads You can download the complete here as pdf. You can download the here as pdf.


		TransAtlantic Ensemble with guests It is a rarity in music today to find an ensemble whose commitment to varied styles suits their abilities. The catch phrases in the Arts are "Diversity" and "Crossover" and many a chamber group wave that flag of repertoire. In the TransAtlantic Ensemble I have heard that well balanced blend of 'Mozartian' control, 'Brahmsian' passion, 'Webernesque' precision. The bonus is their inherit soul and rhythmic drive that allows them tlo tackle music from say, south of the American Border or the Middle East authentic inflection. Jeff Scott Press New Jersey City University New York Public Library John David Earnest, composer New York Icelandic Embassy, Berlin Jeff Scott, Imani Winds German Mission in the United States Presskit Downloads You can download the here as pdf.


		Sight & Sound Press Concert in Atlanta Concert at the Goethe-Center in Atlanta Concert at the German Ambassador's Residence in Washington, DC Consulate General of the Federal Republic of Germany in New York Consulate General of the Federal Republic of Germany in Vancouver Northports Arts Coalition Consulate General of the Federal Republic of Germany in New York Presskit Downloads You can download the complete here as pdf.


		Classical songs from Brazil (1800-2000) Brazilian song, from the romantic to the contemporary. Ms. Ulex performs with soprano Katia Guedes and in solo piano works... Press "200 years classical Brazilian song" with Katia Guedes, Soprano "One enjoys completely the young, improbably pure but also velvet, easy modulationable voice of Katia Guedes, whom a minnesinger would certainly have called a feast for the eyes. Evelyn Ulex sets highlights in the program with her brilliant solo pieces of Brazilian composers... While listening the show blossomed into a most interesting and fascinating event." Märkische Allgemeine, Potsdam "Evelyn and Katia are both accomplished artists with sure technique, solid musicianship and stylish presence. Their elegant interpretations contained a quiet passion, and revealed the haunting, lyric qualities of this musical genre." Erasmia Voukelatos,Faust Harrison pianos, NYC Presskit Downloads You can download the complete here as pdf.


		Poetic meets the piano Musicians & poets escaping/moving/in Exil /Now See the program: Presskit Downloads You can download the complete "Poetic meets the piano" here as pdf. Hartmut Becker, actor Hartmut Becker is a German popular stage and film star. He has worked in the theatre since 1962, during which time he has starred in dozens of plays and has been featured in many international and national film and television productions. At theatres he was playing leading parts at the state theatres of Munich, Vienna, Berlin and others. His film debut he made in 1970 in Michael Verhoeven is feature film O.K. . The film was the official German contribution at the International Film Festival Berlin 1970 and it is hot political expressiveness was the sensation of Berlin and killed the festival. Hartmut is performing in this film earned several prices and a great praise in the German feature articles. After O.K. Hartmut Becker was one of Germany is busiest actors in film and theatre. His first leading part in an English language production Mr. Becker performed in the BBC-film Forgive our foolish ways, where he played the role of an German prisoner of war next to Kate Nelligan. The television film became a very big success all over the world. Mr. Becker is following international film was the American-English production Jenny's War (Columbia Pictures). His partners in this film where Dyan Cannon, Elke Sommer and Trevor Howard. For his widely praised performance in the following American production "Escape from Sobibor" (director: Jack Gold, also starring Alan Arkin and Rutger Hauer) Hartmut had been nominated for an Emmy Award 1988. In his next "Festival-Film" ( "Il decimo clandestino"/Festival International du Film Cannes 1989) Hartmut Becker worked together with admirable director Lina Wertmüller. His female partner in this feature film was Dominique Sanda. Several dream parts followed, for example the characters Niels Jost in "A quiet conspiracy" (Channel 4; also starring Joss Ackland), Rauscher in the American Film "Triumph of the Spirit" (director: Robert M. Young; with Willem Dafoe, Robert Loggia), King Christian in "Young Catherine" (American TV; with a.o. Venessa Redgrave, Julia Ormond, Marthe Keller, Maximilian Schell; director: Michael Anderson) and last not least Dieter Krause in the English TV-thriller "The Waiting Time" (ITV 1999; director: Stuart Orme). His last leading in a German feature film was the part of Goran in "The Unforgotten". Since 1998 Mr. Becker is producing performances with literature and music. He works with innovative musicians from Germany: Evelyn Ulex (piano), Eva-Christina Schoenweiss (violine/DSO Berlin), Babette Haag (percussionist ), american cellist Wayne Foster-Smith, american sopranist Cassandra Hoffman and canadian pianist Maureen Malis. Evelyn Ulex, pianist Evelyn Ulex, was born in Berlin, Germany. At the age of ten, she won the national "Festival of Young Talent" competition in Dresden and later received top medals in the J.S. Bach competition in Leipzig, Germany. She was placed in the prestigious Special School for Music in Berlin, continued her studies at the Hanns Eisler University, graduated from the UdK in Berlin, and pursued further studies with Prof.Boris Bloch at the Folkwang Hochschule, where she received her artist diploma. Ms. Ulex was a finalist in the Frienna Awerbuch International Piano Competition in New York City, laying the cornerstone for her careers in both the United States and Europe. She has performed as a soloist, with orchestras, and intensively in chamber music concerts throughout Europe and the Americas, including such venues as the Philharmonie & Konzerthaus in Berlin, Philharmonie Gdansk, Southampton International Pianofest, Weill Recital Hall at Carnegie Hall, Symphony Space, 92nd Street Y, Library for the Performing Arts in nyc, Summerfestival at Rutgers University New Jersey, the German Consulate General in New York, Miami and Vancouver. In her native Germany, she has appeared on Culture broadcast Berlin Brandenburg and on the series "Artist Portraits" on Radio 3. Ms. Ulex collaborates directly with contemporary composers, providing input and performing their works (recording for Koch Records music by John David Earnest). Along with her solo performances, Ms. Ulex participates in innovative chamber music concerts including those with soprano Katia Guedes on "200 Years of Brazilian classical Songs", Sight & Sound," a brilliant collaboration with artist Ade Frey. She is also a founding member of the TransAtlantic Ensemble with clarinetist Mariam Adam (Imani Winds), performing classical standards to crossover Jazz compositions. Classical Brecht An attempt at reconciliation and understanding between music and word/a concert piano answers the laments/the songs/the love poems of the poor B.B. Press "Entgegen allen Erwartungen - Brecht meets classic" "Der Flügel antwortet auf die Klagen des armen B.B." Berliner Morgenpost "Seriös im Salon - Brecht meets classic" Berliner Tagesspiegel" Presskit Downloads You can download the complete "Classical Brecht" here as pdf.


		Evelyn Ulex Press Interview Evelyn Ulex - villagetatler ... She offered here beautifully clean piano lines and a firm, rounded keyboard tone in all registers. No mechanical player, her phrasing was appealingly elastic... Willa J. Conrad,The Star Ledger, NJ Concert in Miami Celebrating 200 Years Robert Schumann (1810-2010) with Evelyn Ulex If you're not inspired by Evelyn Ulex's piano playing, you are most likely devoid of any emotional bone in your body. You don't have to be a musician to agree that Ulex's playing far surpasses the dots and the lines on the page; her music is a means of communication that supersedes the limits of a language of words. Ulex played Liszt's Piano Concerto No. 2 in A Major, known among pianists to be no easy technical feat. The listener lost all awareness of "the notes," except to notice how she gave deliberate attention to each one. But although each note, however fleeting, received special consideration, her playing did not seem labored in the least. In fact, her harp-like arpeggios sweeping across the keyboard drew in the audience from the start. Her charisma simply was unstoppable and her whole body seemed to move with the emotional color of each phrase. Her self-assurance and poise never felt imposing, as sometimes is the case of virtuosi.Her ability to transition from one mood to another was particularly striking. Even within the length of a cadenza, she was able to create a variety of different colors. By Alicia Sanderman, Classical New Jersey Society Journal ...she gave a good performance of music from the heart of the Germanic repertoire (Schumann), as well as a rousing version of Mussorgsky s Pictures at an Exhibition. by Greg Stepanich, Palm Beach Post.com Poised, professional and pretty , Evelyn Ulex played out her heart and soul, so casually and graciously MiltEnstine , Southampton Press, NY "She has an excellent technique, displaying a vital temperament. What I found to be particularly impressive was her ability to absorb and execute my ideas so fluently and so quickly. Her interpretations are very personal, and highly thoughtful." Prof. Michael Voskressensky, Tchaikowsky Conservatory Moscow Presskit Downloads You can download the complete here as pdf. You can download the here as pdf.